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novelist & playwright
one of the founders of the
English novel
the greatest novelist of the 18th century
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I. Life
II. Fielding’s position
III. Major Works
IV. Joseph Andrews
V
Features of Fielding’s Novels
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I. Life and Career
an aristocratic family
well educated
a
deep knowledge of life
In order to make a living
for himself, he began to write plays and farces for the stage
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Soon he became one of the most
popular playwrights in London.
Most of his dramatic works
were satiric comedies.
Fielding mercilessly exposed the corruption, hypocrisy and cruelty of the officials.
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His plays, of course, caused fear in the
government and aroused hatred of the ruling class.
In
1737 an act appeared, according to which plays should be brought under direct censorship.
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Fielding could not write plays, and so he
ended his career as a playwright and took up
the study of law.
He was made a judge in 1748.
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sharp burlesques
satirizing the government
prime minister Sir Robert
Walpole
Theatrical Licensing Act: directed primarily at him
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Realized that none of his plays would ever
gain the approval of Walpole's new governing body
Quit the
theater and entered law school and graduated in 1740.
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Began his novel writing by attacking Samuel Richardson.
Published
his first novel, Joseph Andrews,1742.
a parody of the best-selling
novel at the time, Pamela: or Virtue Rewarded, by Samuel Richardson, about a virtuous servant girl.
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Followed by
Jonathan Wild the Great
Tom Jones, his
masterpiece
Amelia, his last novel
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In his novels, Fielding continued to expose and
fight against social evils of his time.
His later
years were devoted to the duties as a magistrate.
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II. Fielding’s position
Why was Fielding the true founder
of English novel?
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Defoe: still followed the 17th century tradition of
claiming his fiction was fact.
Richardson: declared that his tales
were moral tracts, emphasizing the instructional rather than the fictional aspect.
Fielding: the first major novelist to unabashedly write fiction.
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Fielding is the founder of English realistic novels.
He set up the theory of realism in literary
creation.
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The exact observation and study of the real
life was the basis of his work.
He did
not rely simply on his imagination.
He did not imitate the characters depicted in the works of earlier authors.
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He made a close and constant study of
real men and women in real life.
He gave
us genuine pictures of men and women of his own age.
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His aim as a novelist was to write
comic epic in prose
he once described himself as
“great, tattered bard.”
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The comic epic is designed to furnish instruction
as well as entertainment.
Fielding believed in the educational
function of the novel.
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III. Major Works
1. Joseph Andrews
2. Jonathan Wild the
Great
3. Tom Jones
4. Amelia
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IV Joseph Andrews
1741
Fielding’s first novel
a parody of
Richardson’s Pamela
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the intention:
ridiculing Richardson’s novel Pamela
the hero of
the novel:
Joseph Andrews, Pamela’s brother
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The situation is contrived by reversing the situation
in Pamela.
Joseph, a very handsome young man, is
a male servant in Lady Booby's house.
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Lady Booby, attracted by Joseph’s charms, pursues him,
but Joseph repels her temptation.
Lady Booby is quite
angry with him and drives him away.
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Then Joseph goes to see his sweetheart, a
country girl named Fanny.
On the way, he is
robbed and carried to an inn, where he meets Parson Adams who becomes his good friend.
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Then the two men travel together and meet
with many ridiculous adventures.
After overcoming a lot of
difficulties, Joseph and Fanny are united.
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The book turns out quickly a great novel
of the “comic epic in prose”
whose subject is “the
true ridiculous” in human nature, exposed in all its variety as Joseph and the amiable Quixote.
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In Joseph Andrews,Fielding the author, magistrate, and moralist refuses
to accept much of what he sees around him;
in Book III, he states that his purpose is "to hold the glass to thousands in their closets, that they may contemplate their deformity, and endeavor to reduce it." But just as Fielding excludes the burlesque, which makes up the entirety of Shamela,from his "sentiments and characters".
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in Joseph Andrews, so too does he progress beyond
a mere criticism of the "ridiculous" to a positive
statement and portrayal of the values in which he believed. We find that we are no longer merely laughing at people and situations, but also laughing with them; we are taking delight, rather than laughing in scorn. Our sense of delight at the close of Joseph Andrews is in no sense destructive, but represents one of the many aspects of this book which can be considered under such headings as form, characterization, style, and moral tone
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Fielding takes his characters through a series of
confusing episodes, finally aligning them with their correct partners
in an improved social setting, from which the most recalcitrant characters are excluded; the characters, for the most part, have all measured and achieved a greater degree of self-knowledge. Thus the marriage of Fanny to a more experienced Joseph takes place in an ideal setting — the country — and is facilitated by the generosity of an enlightened Mr. Booby. Lady Booby, unchanged and unreformed, returns to London, excluding herself from the society which Fielding has reshaped.
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It is often the business of comedy to
correct excess, and Fielding has not spared the devious
practices of a lawyer Scout, or the boorish greed of a Parson Trulliber. But his comedy includes a sense of delight, and the order into which he molds Joseph Andrews is a positive affirmation of the qualities of love, charity, and sincerity, expressed by Adams, Joseph, and Fanny.
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V. Features of Fielding’s Novels
A. authorial narrative voice
Fielding’s method of relating a story is telling
the story directly by the author.
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B. Satire abounds everywhere in Fielding’s works.
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C. Fielding believed in the educational
function of the novel.
The object of his novels
is to present a faithful picture of life, while sound teaching is woven into their very texture.