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Презентация на тему Cinema and literature

HistoryAdvent of cinema: Lumière brothers (1985).1930-1960: golden age of cinema. A. Anna Karenina B. Jane EyreSince 1970. A. Coppola B. Scorsese C. Kubrick
Cinema and literature HistoryAdvent of cinema: Lumière brothers (1985).1930-1960: golden age of cinema.  A. DifferencesMultiple layers vs. Linear progressionFlashbacksFirst-person narrators – subjective camera Types of adaptationTransposition  Original text is transferred from written language to Types of adaptationRe-interpretation  Preserving original text but doing substantial reinterpretation to Types of adaptationFree adaptation  Analogy: literary source as starting point of Effect of cinema on literatureFragmented structure of language and plot in modern
Слайды презентации

Слайд 2 History
Advent of cinema: Lumière brothers (1985).
1930-1960: golden age

HistoryAdvent of cinema: Lumière brothers (1985).1930-1960: golden age of cinema. A.

of cinema.
A. Anna Karenina
B. Jane

Eyre
Since 1970.
A. Coppola
B. Scorsese
C. Kubrick

Слайд 3 Differences
Multiple layers vs. Linear progression
Flashbacks
First-person narrators – subjective

DifferencesMultiple layers vs. Linear progressionFlashbacksFirst-person narrators – subjective camera

camera


Слайд 4 Types of adaptation
Transposition
Original text is transferred

Types of adaptationTransposition Original text is transferred from written language to

from written language to cinematic images.
“Bridge scenes”.

Problems: it leaves out subplots and characters.
Example: Pride and prejudice (1940), by Robert Leonard.

Слайд 5 Types of adaptation
Re-interpretation
Preserving original text but

Types of adaptationRe-interpretation Preserving original text but doing substantial reinterpretation to

doing substantial reinterpretation to connect with contemporary world.

Minor method.
Example: Dracula (1992), by Ford Coppola

Слайд 6 Types of adaptation
Free adaptation
Analogy: literary source

Types of adaptationFree adaptation Analogy: literary source as starting point of

as starting point of creative process.
Example: Apocalypse

now (1979), by Coppola.

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