Презентация на тему Visual arts

works which are primarily visual in nature, such as

color or other medium to a surface (support base)
Paintings

wall – стена
paper – бумага
canvas – холст
wood – дерево
glass – стекло
lacquer – лак
clay – глина
leaf – лист
copper – медь

with pigments that are bound with a medium of

linseed oil – льняное масло

permanent fast-drying painting medium consisting of colored pigment mixed

Tempera

on wood, 1284, Siena

Italian guazzo, water paint, splash or bodycolor (the term

form of a stick, consisting of pure powdered pigment

medium – средство
stick – карандаш
binder – связующее вещество
hue – цвет, оттенок
saturation - насыщенность

pastel on paper, by Edgar Degas, Pushkin Museum, Moscow

holding a portrait of her sister. 1715. Pastel on

English) is a simple black ink once widely used

(1446)

Bodhidharma (1496)

is any of several related mural painting types, executed

mural – стенной, настенный
executed on – выполняемый на
surface – поверхность

Ferapontov Monastery

Bavaria, Germany from Thomas Springe

is a fresco painting technique in which pigments ground

technique – техника, метод
temper – смешивать
egg yolk – яичный желток
moisten – увлажнять, смачивать

are created using sharp knives and tools for etching

drawing – рисунок
sharp knife (knives) – острый нож (ножи)
tool – инструмент
etching – гравирование
layer – слой
clay – глина
coat – покрывать

entirely in monochrome or near-monochrome, usually in shades of

grisaille – гризайль
shade –тень, оттенок

Bruegel the Elder, 1565, 24 x 34 cm.

gray and brown grisaille frescoes in the Chiostro dello

colour of European (Caucasian) human skin (i.e., pale pinkish

carnation – карнация
tincture – оттенок
pinkish – розоватый
heraldry - геральдика

and texture of a surface.
In oil painting, the simplest

glaze – лессировка
chroma – цветность
value – яркость, насыщенность
texture – воспроизведение текстуры, структуры изображаемого предмета
transparent layer – непрозрачный пласт
Spread over – нанесённый на
Opaque – непрозрачный, матовый
Passage –пассаж (место на картине)

small, distinct dots of pure color are applied in

pointillism – пуантилизм
distinct dots – отдельные точки
pure – чистый (без примесей)
pattern – модель, шаблон
image – изображение

showing the contrasting dots of paint used in pointillism

detail with constituent colors

technique.

Sfumato has also been used to describe the ability

sumato – сфумато
gone up in smoke –исчезающий как дым

the use of sfumato, particularly in the shading around

painting") is an ancient technique. The artist heats beeswax

encaustic painting – энкаустика
wax – воск
heat – разогревать
beeswax – воск
liquid stage – жидкое состояние
mix – смешивать

Mount Sinai

a painting method. A watercolor is the medium or

watercolor – акварель
artwork – художественное произведение
water-soluble vehicle – водорастворимый материал

color, Albertina, Vienna

watercolor on paper

paint brush that is relatively dry, but still holds

drybrush (dry brush) – сухая кисть

acrylic paint on illustration board

pigment suspension in acrylic polymer emulsion. Acrylic paints can

acryl painting – акрил
suspension – взвешенное состояние, суспензия
acrylic polymer – полиакрилат
emulsion – эмульсия
dilute (with) – разбавлять, разжижать
water-resistant – водостойкий
dry – сухой

both oil and watercolor

an artwork in the making of which more than

Mixed media art by Doren Robbins

printing, normally on paper
printmaking – графика
print – печатать, получать

artistic technique in printmaking in which an image is

woodcut – гравюра на дереве
xylography –ксилография
relief – рельеф
carve – вырезать
gouge – долото, стамеска

on to a hard, usually flat surface, by cutting

engraving – гравюра, эстамп
incise – вырезать
cut – резать
groove – паз, вырез

acid or mordant to cut into the unprotected parts

etching – офорт
strong acid – крепкая (концентрированная) кислота
mordant – протрава*
intaglio – глубокая печать

*Протрава - (закрепитель краски), в процессах окрашивания - химические вещества, взаимодействующие с красителем или окрашиваемыми тканями, или с обоими, для «закрепления» красителя на ткани, в результате чего краска практически не вымывается.

etching 1648 by Rembrandt

family, technically a drypoint method
mezzotint – меццо-тинто
drypoint – сухая

plate so that tones similar to watercolor washes can

aquatint – акватинта
tone – тон, оттенок
watercolor washes – акварельные краски
reproduce – воспроизводить

(1799)

family, in which an image is incised into a

hard-pointed needle – остро заточенная игла
diamond point – алмазный наконечник

the typical rich blurred line of drypoint.

stone (lithographic limestone) or a metal plate with a

lithography – литография
stone – камень
limestone – известняк
smooth surface – гладкая поверхность

the range of tones, fading toward the edges

uses a woven mesh to support an ink-blocking stencil
screen

drawing or painting on a smooth, non-absorbent surface
monotyping –

combining hard materials—typically stone such as marble—or metal, glass,

sculpture – скульптура
three-dimensional – трёхмерный
shaping – формирование
combining – комбинирование
marble – мрамор
textile – ткань

of San Pietro in Vincoli in Rome. The sculpture

Yin, Shanxi Province, China, (907–1125 AD)